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Feminist Hollywood: From 'Born in Flames' to 'Point Break' (Contemporary Film & Television S.) de Christina Lane
Descripción - Reseña del editor This work examines the differences between commercial cinema and counter cinema by focusing on the work of contemporary women directors who have entered Hollywood from the realm of independent filmmaking. The author compares their early work with their more mainstream endeavors as she explores the possibilities and limits of feminist expression within the male-dominated industry of commercial filmmaking. Lane analyzes critical theories of genre, authorship, and gender representations in order to understand the political contribution of women to the production of popular culture. Some of the films analyzed are 'Working Girls', 'Near Dark', 'Rambling Rose', 'Guncrazy', and 'Bad Girls'. She advocates an approach to film analysis that looks for multiple ideologies and contradictory modes of representation within a single work. It incorporates interviews with directors such as Susan Seidelman, Martha Coolidge, Kathryn Bigelow, Lizzie Borden, Darnell Martin and Tamra Davis in an attempt to bridge the 'theory gap' that often excludes women's professional experiences and makes false assumptions about how the industry operates. Lane balances these first-hand accounts with cultural theory and an understanding of the current filmmaking industry, in which the line between commerical and independent filmmaking has become blurred. It should be of interest to film scholars and amateur movie buffs alike.
Detalles del Libro
- Name: Feminist Hollywood: From 'Born in Flames' to 'Point Break' (Contemporary Film & Television S.)
- Autor: Christina Lane
- Categoria: Libros,Arte, cine y fotografÃa,PelÃculas
- Tamaño del archivo: 14 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
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Feminist Hollywood : from Born in flames to Point break ~ Get this from a library! Feminist Hollywood : from Born in flames to Point break. [Christina Lane] -- The author focuses on the work of contemporary women directors who have entered Hollywood from independent filmmaking. She analyzes critical theories of genre, authorship, and gender representations .
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Feminist Hollywood : from Born in flames to Point break ~ Feminist Hollywood : from Born in flames to Point break Christina Lane （Contemporary film and television series） Wayne State University Press, c2000 : pbk
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Feminist Hollywood: From Born in Flames to Point Break by ~ While the discussions concerning feminist film theory are interesting at times they rely much too heavily on Freudian ideas. The chapters focus on different female directors, though it is fairly clear that the author chose them to make a specific point, tracing thei I become concerned when starting a book to discover that the introduction makes up over a quarter of the book.
Feminist Hollywood (2000 edition) / Open Library ~ Feminist Hollywood by Christina Lane, 2000, . Feminist Hollywood from Born in flames to Point break by Christina Lane. . Contemporary film and television series Genre Interviews. Classifications Dewey Decimal Class 791.43/0233/0820973 Library of Congress PN1998.2 .L35 2000
Contemporary Approaches to Film and Media Ser.: Feminist ~ Find many great new & used options and get the best deals for Contemporary Approaches to Film and Media Ser.: Feminist Hollywood : From Born in Flames to Point Break by Christina Lane (Trade Cloth) at the best online prices at eBay! Free shipping for many products!
Born in Flames - Wikipedia ~ Born in Flames is a 1983 documentary-style feminist fiction film by Lizzie Borden that explores racism, classism, sexism, and heterosexism in an alternative United States socialist democracy. The title comes from the song "Born in Flames" written by a member of Art & Language, Mayo Thompson of the band Red Krayola.
FILM2019 / Women and Hollywood / University of Southampton ~ Film. Lane, Christina (2000). Feminist Hollywood: From Born in Flames to Point Break. Mayne, Judith (1990). The Woman at the Keyhole: Feminism and Women’s Cinema. *Bridesmaids (Paul Feig 2011). Film. Thelma and Louise (Ridley Scott 1991). Film. Bean, Jennifer M. and Diane Negra (2002). A Feminist Reader in Early Cinema. Stacey, Jackie (1993).
Incursions into Popular Culture / SpringerLink ~ See, for example, Christina Lane, Feminist Hollywood: From Born in Flames to Point Break (Detroit, MI: Wayne State University Press, 2000), and The Cinema of Kathryn Bigelow: Hollywood Transgressor, eds. Deborah Jermyn and Sean Redmond (London: Wallflower Press, 2003). Google Scholar
Lizzie Borden talks about her scrappy, feminist magnum ~ Since its release in 1983, Lizzie Borden's Born in Flames has stood as a landmark of indie cinema.Shot sporadically on a shoestring budget over five years, the film creates an energetic, complex .
Christina Lane – UM School of Communication ~ Christina Lane is Chair and Associate Professor of the Department of Cinema and Interactive Media. She received a Ph.D. in critical and cultural theory from the Radio-TV-Film Department at the University of Texas at Austin. She earned an M.A. in Women's Studies from The Ohio State University. Dr. Lane's scholarly interests include film authorship, history, cultural studies, and feminist theory.
Mitch Glazer, Producer – I Blame Dennis Hopper ~ #PopcornTalk #TheFilmScene #ChristinaLane Christina Lane is Chair and Associate Professor in the Department of Cinema and Interactive Media at the University of Miami, where she also directs the Norton Herrick Center for Motion Picture Studies. She teaches courses on film history, women and media, and directors. Her scholarship focuses on silent cinema, classic Hollywood, and […]
Doing Women's Film History - UI Press ~ It offers new perspectives from emerging scholars as well as the most recent findings from many of the field's most respected senior voices."--Christina Lane, author of Feminist Hollywood: From 'Born in Flames' to 'Point Break' "Doing Women's Film History brings together work from one of the most exciting scholarly gatherings that I have .
Christina Lane — Film Fatale — Author of Phantom Lady ~ Christina Lane Film Fatale. Author of the biography, Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock, Christina has written several books, including Feminist Hollywood: From Born in Flames to Point Break and Magnolia, as well as articles on classical Hollywood stars, film history, and contemporary women directors.. An associate professor of film studies and .
Christina Lane Guests on The Film Scene w/ Illeana Douglas ~ She teaches courses on film history, . classic Hollywood, and contemporary American independent . She is also the author of Feminist Hollywood: From Born in Flames to Point Break (Wayne State .
Christina Lane – Audio Books, Best Sellers, Author Bio ~ Christina Lane is is the author of Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock (Chicago Review Press). She has written several books, including Feminist Hollywood: From Born in Flames to Point Break and Magnolia, as well as articles on classical Hollywood stars, film history, and contemporary women directors.
Lizzie Borden (director) - Wikipedia ~ Independent film career. Initially, her films were united by an "iconoclastic depiction of sex" and she controversially portrayed prostitution as an "economic choice" in her 1986 film Working Girls. Her body of work also investigates race, class, power, capitalism, and the power money bestows—all from a feminist vantage point.
Phantom Lady: Hollywood Producer Joan Harrison, the ~ She teaches courses on film history, women and media, and directors. Her scholarship focuses on silent cinema, classic Hollywood, and contemporary American independent film. Dr. Lane is the author o Christina Lane is Chair and Associate Professor in the Department of Cinema and Interactive Media at the University of Miami, where she also directs the Norton Herrick Center for Motion Picture .
: Magnolia (9781405184618): Lane, Christina: Books ~ Lane develops a careful analysis of the film, its director, as well as the contemporary context in which it was produced - exploring topics including the role of the auteur, what constitutes cinema / media literacy in the digital age, the politics of postmodernism, and the film's critique of the mass media - in order to challenge students to ask themselves why they are so riveted by this .
Transgender identifications and looks - Gender - film ~ Feminist Hollywood from Born in Flames to Point Break. Detroit, MI: Wayne State University Press, 2000: 99–123. Redmond, Sean, and Deborah Jermyn, eds. The Cinema of Kathryn Bigelow: Hollywood Transgressor . London: Wallflower Press, 2003. Alison Butler
LACE GLOVES & CHEEZ DOODLES by Abbey Bender / JOAN'S DIGEST ~ In her book Feminist Hollywood: From Born in Flames to Point Break, Christina Lane writes that the film shows, “visual economy based on a series of female ‘looks’… a world of fantasy that facilitates feminist enlightenment.”
Susan Seidelman’s Contemporary Films: The Feminist Art of ~ [Article] This chapter spotlights Susan Seidelman, who came of age during the second-wave feminist movement and found success and acclaim in the 1980s indie wave but, like other female filmmakers of her generation (Julie Dash and Allison Anders), struggled subsequently when their follow-up projects failed through poor distribution or never reached production.
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